Monday, April 30, 2012

Review: Purity by Jackson Pearce

Tags: YA, contemporary, death, sex, father-daughter relationships

Summary

Several years after her mother died, Shelby still manages to keep three promises she made to her. However, the promises—of which one involves listening to her father—prove hard to keep when Shelby’s father asks her to participate with him in the father-daughter Princess Ball, during which the daughter will vow to lead a “pure” life.

To Shelby, this means one thing: that she must have sex before the Ball, so that the vow will be null. But finding someone to have sex with her in the space of a few weeks proves harder than she thinks. And along the way, Shelby realizes the true meaning of the other two promises she made her mother: to love as much as possible and to live without restraint.

Review

PURITY had a great premise that catches the attention of even the most jaded of readers—promises to a dead person! a ball! SEX!—but unfortunately, the book fell flat for me. The story seems to struggle with an identity crisis over whether it’s lighthearted or philosophical, with the result that it doesn’t really succeed at either end.

The good thing is that the characters, their relationships with one another, and the story’s romance are done very well. Shelby is a bit of a Jane Everygirl, which was slightly disappointing, as there was great potential for her to have some interesting quirks, and not every story requires an Everygirl at its heart in order for it to be relatable and likable. Fortunately, other characters, such as Shelby’s friends, are lovely to read about. Nothing too special about them, but they’re nice and supportive and people whom you want to be your friends. Shelby’s relationship with her father is more noteworthy, in that I think that a fair number of daughters can relate to Shelby and her father’s awkward yet fierce love for each other.

What tripped me up about PURITY, however, was its intent. Was it a straightforward novel about overcoming lifelong grief, looking for sex, and finding love instead? If PURITY wanted simply to be a grief novel, I think I would have been okay with it. Grief novels are obviously a dime a number in YA literature these days, but there are still some decent, if perhaps not original, stories among the lot. However, at many points PURITY dipped into random paragraphs about questioning one’s belief in God and faith, and I suppose that I didn’t feel like the religion aspect of this book was built up enough to support Shelby’s questioning thoughts.

PURITY is a noble effort at making different a tried-and-true contemporary YA routine, but ultimately it didn’t leave much of an impression on me. Read it if you want a slightly different spin on the classic grief novel, albeit one that doesn’t entirely succeed at being different.

Similar Authors
Nova Ren Suma
Sarah Dessen
Melissa Walker
Donna Freitas

Cover discussion: I like it... I think. I can't help but wonder if it connotes something slightly off about the book, though. Either this reminds you of the cover for Sarah Dessen's Lock and Key, or this seems like a candy-colored book aimed for younger teens.

Little, Brown / April 24, 2012 / Hardcover / 224pp. / $17.99

e-galley received from publisher and NetGalley.

Friday, April 27, 2012

Review: The Unbearable Lightness of Being by Milan Kundera

Tags: fiction, philosophy

Summary

THE UNBEARABLE LIGHTNESS OF BEING is not quite a novel, not quite a philosophical treatise, not quite political commentary. It has fictional characters and a “plot,” if you want to call it that…but the plot is hardly the most important part of the book. It is chock full of interesting philosophical ideas.

Perhaps the thing to say about THE UNBEARABLE LIGHTNESS OF BEING is that it is an incredible experience that cannot be fully understood and appreciated in just one go. Perhaps what astounded me most about this book was how nuanced the characters are. Like real human beings, no one is perfect: in fact, Tereza, Tomas, and the others are often aggravatingly flawed, to the point where you kind of want to throw down the book in frustration, or else reach into the story and single-handedly plunk them in psychotherapy.

The real and frightful thing about such a reaction, however, is that, in certain ways, Tereza and Tomas are eerily canny reflections of ourselves, and what our pithy and ultimately futile internal struggles would look like at the hands of a literary genius. Tomas’ perpetual womanizing and his guilt over his inability to make Tereza happy, Tereza’s hopelessness over her own feelings of jealousy—it reflects some of the ugliest parts of ourselves, the parts that we’re afraid to see in literature, for fear that we may recognize them as being part of ourselves.

It is because of this discomfort that Kundera creates in the relationship between reader and creation that I both admire and fear this book and Kundera’s writings. I admire it because I see the possibilities for what I can do with my own thoughts and writings; I fear it because Kundera’s thorough, everyone-yet-no-one portrayal of his characters could so easily be me or any one of us, despite evidence to the contrary (i.e. we are not perpetual womanizers or guilty jealous snakes). But Kundera’s omniscient narration helps us understand the mentality of flawed characters, and if you apply that to real life, it’s hard to not not think of things in black and white afterwards.

There are things that I didn’t like about this book: the political stuff (it’s just not my thing), and the fact that Kundera often rejects typical literary conventions such as introductions and climaxes and denouements. I think, however, that the experience of reading THE UNBEARABLE LIGHTNESS OF BEING, the ideas about living and existing and worth that it contains, and the things it makes me think about the potential of writing, make everything worth it. I am already looking forward to the next time I can reread this, pencil in hand to mark the things I missed before.

Harper Perennial / Oct. 27, 2009 / Paperback (reprint) / 320pp. / $16.99

Borrowed from library.

Thursday, April 26, 2012

Hearting Things

The speed of your Internet connection seems to be the limit to how fast bad news can travel. Because of that, I'm taking taking a leaf out of I Heart Daily's book and writing a post that's only full of things that make me happy.

Music

Mads Langer
Okay, I admit it: I discovered this sultry Danish singer through Castle. (That TV show offers up way too many great and underrated artists.) I've been obsessed with this song ever since. To me, it's seems to represent the romantic idea of love perfectly: the longing, the feeling that you will never be good enough to deserve the love of the one you love. The excruciatingly slow but delicious-in-its-slowness buildup to the risk, the jump, the fall. Replay.



The Civil Wars
Thank you, Hunger Games soundtrack, for introducing the greater world to The Civil Wars. There's nothing quite like listening to a song that contains eerie harmony, and these two singers' voices are so different, yet blend together for a simple but intense film that reaches into your very veins to stir your blood.



Postcard Sets

I used to collect postcards up until high school, but lately I have been really getting into sending them. I love how they are like little notes: they don't need the time commitment of a full-length letter, and they make people feel special when they receive one in their mailbox. My pointer finger itches to click on these glorious postcard sets and BUY them:




So, so much more. What, then, do you do with 500 postcards when you've given in to the urge to buy them all? Why, you join PostCrossing.com, of course, to connect to thousands of people around the world who also love to send and receive postcards. Let me tell you, it's SO COOL to carefully select the postcards you're going to send to a perfect stranger, and to open your mailbox and discover a postcard containing unique postage from a country you may have never even heard of before. Join if it sounds interesting to you, or leave a comment if you're interested in exchanging postcards with me!

Books

April has been a splendid month for me in terms of reading. I'm highly aware of the fact that my reading tastes are changing, and I have a lot less patience for stuff that I probably would have nicely pushed myself through in the past. I've also been carefully considering people's book recommendations to me, and have discovered these four new favorites:

The Name of the Wind by Patrick Rothfuss
My review of this book is going up soon (though it's already on Goodreads if you follow me there), contains the line, "At around 700 pages, The Name of the Wind is the perfect shape and story to sleep with." I also take a jab at hipsters in the review. (That's what writing a review at 3 in the morning does to you.) OH MY GOSH IT'S BEEN A MONTH SINCE I'VE READ THIS BOOK AND I STILL AM LIKE THIS ABOUT IT. It's... it's... it's... It's like when you read Harry Potter for the first time. At first you can be all, This is any ole thing, but before you even know it you're so far into the story you can't remember your life without it. Anyway. You need to read this.

The Scorpio Races by Maggie Stiefvater
I'm hesitant when it comes to Maggie's books (remember Shiver?), but this one was just exquisite and totally deserving of its Printz Honor. I love how the romance never overpowers the incredible, desolate, razor-edge fearful majesty of Thisby and the capaill uisce. So glad this one turned out so beautiful!

Among Others by Jo Walton
I was in a reading slump after The Scorpio Races, picking up books, reading the first few chapters, and putting them away with a sigh of disappointment. Then Aaron Vincent of Guy Gone Geek suggested I read characters who love books, and recommended me Among Others. I had heard of the title--it was nominated for a Hugo this year--and immediately downloaded that shizz for my Kindle. It's like I Capture the Castle, with a slightly fantastical element. Adorable. Mori primarily reads pre-1980s science fiction which goes way over my head but it's just fun to see her geek out in her journal without going into too much literary analysis. She's just a bookworm talking about books.

Code Name Verity by Elizabeth Wein
This book has been on my radar for months and MONTHS. Mostly because my dear blogger friend Chachic seems to go on and on about it on every single social networking platform I am on. And now, closer and closer to the US release date, more and more people are raving about this, until I finally caved in and bought a UK copy online. It's AMAZING. I love the narrator's voice, she manages to still be feisty even in her difficult situation. I have a feeling that, once I finish this book, I'll immediately flip back to the beginning to read it again. Love love love.

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Okay, I've blathered on for long enough, but fortunately I've made myself happy in doing so. So share with me, because the world can't have enough happiness: what things have made you happy lately?

Tuesday, April 24, 2012

Review: Shadows on the Moon by Zoe Marriott

Tags: YA, fantasy, POC

Summary

Her real name is Suzume (sparrow), but she is also Rin (cold) and Yue (moon). That’s because Suzume’s world ended the day her family was murdered. Living with her mother and her new stepfather, Lord Terayama, Suzume inadvertently practices her shadow-weaving: the art of creating illusions out of thin air. Her talent comes in handy as it becomes clearer to her that has life is in grave danger. As Suzume shuffles through her many identities, what happens when her one goal of avenging her father’s death is slowly but surely replaced by another more tender?

Review

YOU GUYS, do you know how long I have waited to read this book? Since Zoe Marriott first revealed the gorgeous UK cover for SHADOWS ON THE MOON, over a year ago. I simply can’t resist a beautiful Asian face on a YA cover, and I have enjoyed Zoe’s previous books. I am so, so happy to say that SHADOWS ON THE MOON was one of those rare books that I didn’t want to end.

There is something great to be said about every element of this book. According to the author’s note, SHADOWS ON THE MOON is not set in feudal Japan, but rather a society similar to it. And Marriott has certainly done her research. Things such as the vocabulary for different kinds of clothing and the exact procedure for a tea ceremony may not add directly to the plot, but they certainly help immerse readers into Suzume’s lush, simultaneously foreign yet familiar, world.

Suzume masterfully treads the thin line between her mask of feigned placidness and actually being a placid character. After all, at what point does the person you pretend to be actually become a part of you? However, Suzume’s soothing narration helps ground what could be melodramatic events, so that they never go beyond the point of credibility. Her reactions to the events happening to her are natural and relatable. We sympathize with Suzume, and also hope that, if we are ever in a similar situation (which hopefully we won’t be!), we can endure in a way as strongly as she does.

SHADOWS ON THE MOON is a big book, but it never feels too long. It is a fantasy of epic worth and length that will nevertheless fly by, appealing even to readers who don’t often read fantasy. Suzume is a heroine for the modern-day reader, and Zoe Marriott’s unique take on the Cinderella tale will have you soaring through its pages.

Cover discussion: I'll admit that I prefer the UK cover slightly more to this one, but the awkwardness of this cover is slightly alieviated when you read the book. Then you get it.

Candlewick / April 24, 2012 / Hardcover / 464pp. / $17.99

e-galley provided by NetGalley and publisher. Thank you so much!

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