In My Mailbox is a weekly meme inspired by Alea and hosted by Kristi. Check out Kristi's post to see what others got in books this week!
I am incandescently happy.
For review:
I Will Save You by Matt de la Pena - I've heard fantastic things about this author, and so I'm looking forward to reading this. Thanks, Random House!
Bumped by Megan McCafferty - This utterly made my week when it showed up in my mailbox. Megan is one of my favorite authors (and you all know how I pimp the Jessica Darling books anywhere and any chance I get), and I have been waiting for this book since the deal was announced way back when. Thank you SO much, Megan!
The Transformation of Things by Jillian Cantor - From LibraryThing's Early Reviewer Program! I really enjoyed Jillian's YA novels and I'm sure I'll find the same good qualities in her first adult novel.
From Around the World Tours:
Wither by Lauren DeStefano - Okay, you guys. So, this book? It is INCREDIBLE. Definitely worth your wait and your money. I highly encourage you to preorder it NOW if you haven't yet already...and, knowing me and how selective I am in books I rave about, that's saying something.
Cryer's Cross by Lisa McMann - I'm in the middle of reading this right now. Lisa McMann fans will not be disappointed. It's so creepy!
Swapped:
In Dreams Begin by Skyler White
Love and Other Four-Letter Words by Carolyn Mackler
The Wager by Donna Jo Napoli
I've also been plowing through the Scott Pilgrim graphic novels that I've borrowed from my library, lol. Hooray for books! Hope you guys had a good week as well!
Sunday, November 7, 2010
Saturday, November 6, 2010
Review: The Sky Is Everywhere by Jandy Nelson
Tags: YA, grief, death, sisters, love triangle, music
Summary
Lennie’s life is shattered when her older sister Bailey dies suddenly. Now faced with the scary realization that she doesn’t know who she is without Bailey, Lennie also finds herself torn between two very different guys. Toby is Bailey’s boyfriend, with whom Lennie feels a powerful connection of sadness and loss. Joe is the new boy at school, a genius musician whose megawatt smile makes Lennie feel like she can be someone she never was. Can Lennie reconcile the past with the present, her sister with herself, the girl she was with the girl she can be?
Review
To an extent, I can understand why THE SKY IS EVERYWHERE is one of the most highly praised books of 2010. The poetry and the way it makes the characters seem to ache with loveliness….It’s easy to be hypnotized by what the book presents. But I seem to be one of just a handful for whom this book did not work.
Good things first. Nelson’s writing really is a work of art. She effortlessly twists words, emotions, and descriptions that are so common in YA lit they’re practically cliché into ribbons of beauty that you just want to remember forever. After all, how many books about teenage girls grieving after a loved one’s death have been written in the past year alone? And then how many have been written by a poet?
However, there was just something about Lennie that had me not connecting with her. I really had to wonder, most of the time that I was reading this, what about her was attractive to not just one, but two guys. Toby and Joe are reasonably well-rounded characters: Joe is a genuinely swoon-worthy musician character, while Toby’s angstiness is slightly harder to swallow. But either the love triangle aspect of this book felt contrived to make Lennie more desirable, or else Bailey’s death feels like a merely convenient premise to work Lennie’s romantic troubles.
For me, THE SKY IS EVERYWHERE is yet another victim of the assumption that a sympathy-inducing issue can turn a book into a five-star classic. The writing is beautiful, and even the examination of the characters’ different ways of dealing with grief was good. I just didn’t feel a connection to Lennie, and thus, to the rest of the book.
Similar Authors
Kristina McBride
Kirstin Cronn-Mills
Writing: 4/5
Characters: 3/5
Plot: 3/5
Overall Rating: 3.5 out of 5
Cover discussion: 3 out of 5 - It's subjectively pretty, I think. It's a bit too abstract, too amorphous, for my liking. But many people seem to find nothing wrong with that!
Penguin / March 9, 2010 / Hardcover / 275pp. / $17.99
Copy bought.
Summary
Lennie’s life is shattered when her older sister Bailey dies suddenly. Now faced with the scary realization that she doesn’t know who she is without Bailey, Lennie also finds herself torn between two very different guys. Toby is Bailey’s boyfriend, with whom Lennie feels a powerful connection of sadness and loss. Joe is the new boy at school, a genius musician whose megawatt smile makes Lennie feel like she can be someone she never was. Can Lennie reconcile the past with the present, her sister with herself, the girl she was with the girl she can be?
Review
To an extent, I can understand why THE SKY IS EVERYWHERE is one of the most highly praised books of 2010. The poetry and the way it makes the characters seem to ache with loveliness….It’s easy to be hypnotized by what the book presents. But I seem to be one of just a handful for whom this book did not work.
Good things first. Nelson’s writing really is a work of art. She effortlessly twists words, emotions, and descriptions that are so common in YA lit they’re practically cliché into ribbons of beauty that you just want to remember forever. After all, how many books about teenage girls grieving after a loved one’s death have been written in the past year alone? And then how many have been written by a poet?
However, there was just something about Lennie that had me not connecting with her. I really had to wonder, most of the time that I was reading this, what about her was attractive to not just one, but two guys. Toby and Joe are reasonably well-rounded characters: Joe is a genuinely swoon-worthy musician character, while Toby’s angstiness is slightly harder to swallow. But either the love triangle aspect of this book felt contrived to make Lennie more desirable, or else Bailey’s death feels like a merely convenient premise to work Lennie’s romantic troubles.
For me, THE SKY IS EVERYWHERE is yet another victim of the assumption that a sympathy-inducing issue can turn a book into a five-star classic. The writing is beautiful, and even the examination of the characters’ different ways of dealing with grief was good. I just didn’t feel a connection to Lennie, and thus, to the rest of the book.
Similar Authors
Kristina McBride
Kirstin Cronn-Mills
Writing: 4/5
Characters: 3/5
Plot: 3/5
Overall Rating: 3.5 out of 5
Cover discussion: 3 out of 5 - It's subjectively pretty, I think. It's a bit too abstract, too amorphous, for my liking. But many people seem to find nothing wrong with that!
Penguin / March 9, 2010 / Hardcover / 275pp. / $17.99
Copy bought.
Friday, November 5, 2010
Guest Post + Giveaway: Wayne Josephson!
Wayne Josephson has the intriguing idea of rewriting some classic works of fiction for a younger and more modern audience. So far he has adapted The Scarlet Letter, Jane Eyre, Pride and Prejudice, and The Odyssey, with more to come in the near future. Today he is here to explain the beginnings of his Readable Classics project. Welcome, Wayne, to Steph Su Reads!
Readable Classics – Helping Teens Appreciate Great Literature
When I was in high school, I was assigned Moby Dick and The Scarlet Letter in English. I glazed over them, slammed the books in frustration, read CliffNotes instead, and got C’s on the exams.
Last year, history repeated itself when my 10th grade son was assigned The Scarlet Letter. He moaned and groaned and went online to SparkNotes. It was time to break the cycle.
Since I was now a published author, I decided to gently edit The Scarlet Letter to flow more smoothly and make it less frustrating. It still felt like the original because, essentially, it still was the original, retaining Nathaniel Hawthorne’s voice—I just made it more readable.
My son read my version alongside the original, chapter by chapter, and was able to understand and appreciate it. He got an A on the exam.
But something happened to me. I realized that I absolutely loved The Scarlet Letter. It was stunning, powerful, and beautiful. I finally realized why it has been continuously published for 150 years—the book is important. Hester Prynne was the very first female hero in American literature. Prior to that, they had all been men. That is unimaginable today.
I noticed that Nathaniel Hawthorne had dedicated his book to Herman Melville. I did some research and learned that they were best friends. Likewise, Melville dedicated Moby Dick to Hawthorne.
I decided to take the plunge and tackle my nemesis, the White Whale. As I gently edited Moby Dick, plowing through the murky, arcane language, I discovered that it was much more than a whale tale—it was an amazing, often humorous, satire about life, death, and religion.
I knew I had to share my excitement with others, so I published these two books.
Readable Classics was born.
The reviews on Amazon are glowing—even the literary purists like them. And students are ecstatic.
I gently edited Pride and Prejudice, the first novel to challenge the ridiculous notion that women were second-class citizens. As a result, I fell in love with Jane Austen. I recently published a mashup, Emma and the Vampires, with the intent of introducing Jane Austen to young adult readers in a friendly way, laced with Twilight-type vampires.
Then I edited Jane Eyre. It is the best book I have ever read, hands down. It was the first English novel in which a woman was the hero. Women couldn’t publish books in 1847, so Charlotte Bronte mailed one chapter a week to the London Sunday paper under a man’s pseudonym, Currer Bell. It was an instant sensation.
Jane Eyre is the spellbinding journey of a poor orphan girl who overcomes cruelty, loneliness, starvation, and heartbreak on her quest to find independence as a woman. It is the story of every woman who struggles for equality and dignity in a society that wants to deny her those rights—as true in Victorian England as it is today. It is one of the most important books ever written, and compulsively readable. You simply cannot put it down.
I have just published The Odyssey—the first novel ever written, 2800 years ago, a timeless story of intrigue and adventure. And I am currently working on The Red Badge of Courage—the first novel to portray war as ugly and violent and real, not dreamy and idealistic.
So many firsts—the classics have become classics because they are, in many ways, the first of their kind. They have opened up a whole new world to me, and I am grateful that I am finally able to understand and appreciate these great works of literature.
My work is challenging, enjoyable and satisfying. But the best part about writing Readable Classics? Students and adults have told me that my books have helped them overcome their fear of the classics. And that is the most rewarding part of all.
-
Well, I certainly admire this daunting task you have taken on, Wayne! I'm glad to hear that more people have been appreciating the classics thanks to Readable Classics. Thank you for this guest post! Check out Wayne's author website for more information on his books.
Wayne has kindly allowed me to host a giveaway! One lucky winner will get to choose from one of the five currently published Readable Classics. To enter, please fill out the form below. This giveaway is limited to US mailing addresses only and ends Friday, November 19, 2010. Good luck!
Readable Classics – Helping Teens Appreciate Great Literature
When I was in high school, I was assigned Moby Dick and The Scarlet Letter in English. I glazed over them, slammed the books in frustration, read CliffNotes instead, and got C’s on the exams.
Last year, history repeated itself when my 10th grade son was assigned The Scarlet Letter. He moaned and groaned and went online to SparkNotes. It was time to break the cycle.
Since I was now a published author, I decided to gently edit The Scarlet Letter to flow more smoothly and make it less frustrating. It still felt like the original because, essentially, it still was the original, retaining Nathaniel Hawthorne’s voice—I just made it more readable.
My son read my version alongside the original, chapter by chapter, and was able to understand and appreciate it. He got an A on the exam.
But something happened to me. I realized that I absolutely loved The Scarlet Letter. It was stunning, powerful, and beautiful. I finally realized why it has been continuously published for 150 years—the book is important. Hester Prynne was the very first female hero in American literature. Prior to that, they had all been men. That is unimaginable today.
I noticed that Nathaniel Hawthorne had dedicated his book to Herman Melville. I did some research and learned that they were best friends. Likewise, Melville dedicated Moby Dick to Hawthorne.
I decided to take the plunge and tackle my nemesis, the White Whale. As I gently edited Moby Dick, plowing through the murky, arcane language, I discovered that it was much more than a whale tale—it was an amazing, often humorous, satire about life, death, and religion.
I knew I had to share my excitement with others, so I published these two books.
Readable Classics was born.
The reviews on Amazon are glowing—even the literary purists like them. And students are ecstatic.
I gently edited Pride and Prejudice, the first novel to challenge the ridiculous notion that women were second-class citizens. As a result, I fell in love with Jane Austen. I recently published a mashup, Emma and the Vampires, with the intent of introducing Jane Austen to young adult readers in a friendly way, laced with Twilight-type vampires.
Then I edited Jane Eyre. It is the best book I have ever read, hands down. It was the first English novel in which a woman was the hero. Women couldn’t publish books in 1847, so Charlotte Bronte mailed one chapter a week to the London Sunday paper under a man’s pseudonym, Currer Bell. It was an instant sensation.
Jane Eyre is the spellbinding journey of a poor orphan girl who overcomes cruelty, loneliness, starvation, and heartbreak on her quest to find independence as a woman. It is the story of every woman who struggles for equality and dignity in a society that wants to deny her those rights—as true in Victorian England as it is today. It is one of the most important books ever written, and compulsively readable. You simply cannot put it down.
I have just published The Odyssey—the first novel ever written, 2800 years ago, a timeless story of intrigue and adventure. And I am currently working on The Red Badge of Courage—the first novel to portray war as ugly and violent and real, not dreamy and idealistic.
So many firsts—the classics have become classics because they are, in many ways, the first of their kind. They have opened up a whole new world to me, and I am grateful that I am finally able to understand and appreciate these great works of literature.
My work is challenging, enjoyable and satisfying. But the best part about writing Readable Classics? Students and adults have told me that my books have helped them overcome their fear of the classics. And that is the most rewarding part of all.
-
Well, I certainly admire this daunting task you have taken on, Wayne! I'm glad to hear that more people have been appreciating the classics thanks to Readable Classics. Thank you for this guest post! Check out Wayne's author website for more information on his books.
Giveaway Opportunity
Wayne has kindly allowed me to host a giveaway! One lucky winner will get to choose from one of the five currently published Readable Classics. To enter, please fill out the form below. This giveaway is limited to US mailing addresses only and ends Friday, November 19, 2010. Good luck!
Thursday, November 4, 2010
Cover Lust (20)
Huntress by Malinda Lo
(Little, Brown / April 5, 2011)
I featured this for my Waiting on Wednesday post two week ago, but I just have to mention it again, because I love it so much. Can we all just take a moment here to appreciate how beautiful and tough this thoroughly Asian girl on the cover looks? I like how the title font is in keeping with the title font of Ash. I hope they make posters of this cover, and I hope I'm somehow able to find one.
Powder Necklace by Nana Ekua Brew-Hammond
(Atria Books / Feb. 6, 2010)
More POCs on a book cover. This makes me so happy. I like how the flower and the gentle pink block of color in the text area subtly complements the picture.
Shadows on the Moon by Zoe Marriott
(July 2011)
Yeah, in case you haven't noticed, there might be a slight theme for this Cover Lust post. Basically, yes, this is another strong and beautiful Asian girl on a YA cover, which is so appropriate since this book is kind of like a Cinderella set in Feudal Japan.
Mercy by Rebecca Lim
(HarperCollins / Oct. 28, 2010)
It's simple, but elegant, in my opinion. There's just the right amount of detail to the title font to match intricacy of the girl's feathery dress. Works for me!
Clean by Amy Reed
(Simon Pulse / July 2011)
I like how it complements the cover to Amy's first book, the shocking and powerful Beautiful. I love the "empty space" effect going on, how the girl looks like she's sitting in a fake world.
Between Here and Forever by Elizabeth Scott
(Simon Pulse / May 24, 2011)
You know me. I can't ever pass up taking note of a book with a high-quality photo cover, with the DSLR foreground focus and background blurriness, yadda yadda photogeek speak. So while this may not sing particularly to you, I just finds that it evokes this feeling of...gentleness. Contentedness. Prettyyy.
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What do you guys think?! Which is your favorite??
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