I think this is what's been bugging me about the bestselling titles in these two genres (and in some ways this is going to sound terrible, but it's true): they all have love as their main conflict or theme.
(This is not to say that there aren't people out there who live just to fall in love and get married. They exist too. But I have not yet reconciled myself to the fact that theirs is a lifestyle that I would be willing to promote to others, and therefore, we're going to leave them out of this discussion for now.)
I get super irritated when a YA book portrays teen love as the be-all and end-all of all love ever in life. Do you know the percentage of teen relationships that DON'T last into and through adulthood? I don't, but I'll bet all of the books I own that it's a really, really, really high percentage. I'm not saying that teen relationships never blossom into fully mature and lasting relationships. There are a good number of people who end up with their high school sweethearts and have a wonderful relationship. And yes, when you're in love you can't help but think of the possibility that you might end up with your partner, the likelihood that he/she is The One for you. That's a pretty natural result of being in love. In the moment, a relationship may seem like perfection, something you want to hold on to forever.
"But YA lit is my escapism," some people argue to me. "I don't read YA lit to read about the literary equivalent of my own dull, normal, and unimpressive life." Fair enough, I say. (Although I also want to tell these people that YOU and you alone are the one who can make your life special and fascinating and wonderful. But that's another rant for another day.) I read books for escapism too. But I don't read ALL books for escapism, and I'm fairly sure that most people don't do that either. Oftentimes I read books because I want to get something out of it, whether I realize it or not. I turn to books for life advice, witty comments I can inject into real-life conversations (admit it: I can't be the only one who does this), effective ways to deal with serious issues. I turn to books to research how best to proceed in matters of human interactions as much as I turn to them for a wish-fulfillment portrayal of love.
This is opposed to, say, the bland everygirl protagonist who doesn't realize how little joy there was in her life until she meets Godlike EveryBoy (hey, look, oxymoron!), whose dimples, sparkling eyes, and enigmatic philosophical commentary on life bring scintillate her previously meaningless existence or open her eyes to everything that is wrong about her dull, dull, colorless world. First of all, it's heteronormative. Second of all, it's perpetuating outdated models of femininity that have encouraged females to think of their lives as incomplete and meaningless without the love of a strong man. Gack. Quick, pass me the nearest container so I can throw up, please. We live in the 21st century, people! Why are we still subliminally encouraging females to pull a Bella Swan and sum up the five months following her breakup with literal blank pages in a book until, miraculously, she is "brought back to a semblance of life" by--surprise, surprise--yet another strong, supernatural, protector-role guy? Why are books with these kinds of romantic plots the bestsellers?
|Kind of worried about your respiratory system and life philosophy, Bella.
Furthermore, teens make it very clear that they don't want to be talked down to, and that controlling their access to "triggering" influences (e.g. book censorship) doesn't do anything, is in fact completely unnecessary, because almost all teen readers know that a book that discusses, say, suicide is not promoting suicide, nor will it increase their likelihood of committing suicide. So, following that logic, reading books that feature tru luv teen romance shouldn't necessarily increase teens' belief in the prevalence of real-life tru luv teen romance...right?
I just want the critical and commercial acknowledgment that there is not just one way to tell a teen love story.