Tags: YA, fantasy, love triangle, magic
Eon, Book 2
(Book 1: Eon review)
Summary
At the heels of an imperial takeover, Eona has been revealed as a female Dragoneye and flees with her rebel friends for her life. Determined to put Kygo, the rightful heir, back onto the throne, Eona and her friends must do all they can to understand her Dragoneye powers, which so far are nearly impossible for her to control. To help Eona gain control over her powers, the Rebels reluctantly rescue Lord Ido, the Rat Dragoneye who murdered the other Dragoneyes in a selfish quest for ultimate power, who is to help her learn.
However, Eona finds herself torn between her love for Kygo and her undeniable pull towards Ido. She struggles to be true to herself in a world where telling the truth can mean losing her free will. Eona’s eventual decision will not only alter the political landscape of the land, but also the Dragoneyes’ very connection to the mystical and powerful dragons themselves.
Review
I was dying for this sequel. Absolutely dying. Two years of distracting myself by reading other books, waiting for EONA to finally, finally be released. And even though I didn’t enjoy it as much as I did Eon, it is still a towering accomplishment in fantasy literature that should satisfy most fans of the first book.
Alison Goodman’s world-building is as astonishing as ever. Whereas Eon largely takes place within the walls of the castle grounds, EONA traverses various landscapes, cultures, and attitudes in a dizzying array of information to keep track of. And it doesn’t entirely succeed. The bulk of the story remains close to Eona, Kygo, Ido, and their various plans for overthrowing the traitor “Emperor” Sethon; supporting characters who come in and out of the story don’t feel grounded within the world, and thus I found it extremely difficult to keep track of the goings-on and their importance.
Perhaps I should’ve reread Eon before starting EONA, because I found that EONA went in an entirely different direction than I had expected. For instance, whereas Eon emphasizes personal growth and court tensions, the majority of EONA felt like it toyed with a disappointingly more conventional YA love triangle between Kygo, Eona, and Ido. Neither of these people are truly likable: turns out that all three are power-hungry and mistrustful in their own ways. I actually appreciate this complexity of character. Here are three very different people, all thrust into an inescapable game of political and magical push-and-pull; it would be next to impossible that they’d come out of their experiences untouched.
So I really enjoyed reading about their flaws, but it made the fact that the love triangle seemed to be such a large part of EONA a little unbearable. I wasn’t particularly a fan of either “leg” of the triangle, and it felt a little like giving in to YA conventions, in my opinion, detracting from the action-packed, conspiracy-oriented feel of Eon.
Nevertheless, EONA is an impressive conclusion to a marvelously complex world that was introduced in Eon, and therefore has to be read by anyone who read and enjoyed the first book. The focus of EONA shifts, but still ends on a note that will likely leave you nodding and smiling.
Similar Authors
Maria Snyder
Cover discussion: Zowweeee! I wish the girl were more Asian, as befits the inspiration for Eona's world, but otherwise the layering of the girl, troops, and dragon is very impressive.
Viking Juvenile / April 19, 2011 / Hardcover / 637pp. / $19.99
Personal copy.
Showing posts with label alison goodman. Show all posts
Showing posts with label alison goodman. Show all posts
Monday, August 15, 2011
Saturday, August 6, 2011
Review: Eon by Alison Goodman
Tags: YA, fantasy
Summary
Eon has trained four years for a chance to be picked as the new Rat Dragoneye apprentice, one of eleven whose powerful spiritual connection with the dragons is used to keep the nation prospering. Eon believes he has a chance, despite being a cripple: he has the rare ability to enter the energy world and “see” all the dragons.
However, Eon is actually Eona, a teenage girl. Females are forbidden to be Dragoneyes, and so Eon desperately tries to hide his true gender when he is miraculously chosen to be the next Mirror Dragoneye, when the Mirror Dragon has not been seen for over 500 years. It is a dangerous world that Eon must maneuver in, what with the old emperor seriously ill and political mutiny tainting the air. Does Eon—Eona—have what it takes to survive, or does the secret that Eona hides threaten to destroy everyone’s lives?
Review
If you want a hardcore fantasy set in a deliciously elaborate and complex world, pick up EON: DRAGONEYE REBORN. Goodman’s majestic tale brings to mind the works of fantasy masters like Garth Nix, Robin McKinley, Diane Wynne Jones, and more. Eon’s world is well wrought, engaging, and one hundred percent fascinating.
The world of EON is reminiscent of ancient Asian cultures, and is a careful and studied mixture of the spiritual and the physical. I loved the idea of dragons being a part of the energy world, of Dragoneyes connecting with the dragons to share a mutual power. At the same time, the physical setting is incredible: a place full of beauty and treachery, awe and horror. Alison Goodman weaves for readers a multisensory setting that’s a treat to experience.
The characters are far from lacking either. Eon is a brilliant, three-dimensional protagonist: his internal conflict of adhering to the tradition of male Dragoneyes versus breaking protocol and acknowledging Eona is heartbreaking and enthralling. Readers may be able to guess things that the often-obstinate Eon misses, but all in all Eon is a fascinating character to follow in this highly charged story.
At a little over 500 pages, EON may seem like a daunting read, but every chapter is worth it, even the few that you wish would speed up to Eon’s long-awaited revelations. I absolutely cannot wait for the sequel, Eona: The Last Dragoneye, to come out, so that I can read more about Eon/Eona and his/her adventures in this magnificently complex world.
Similar Authors
Robin McKinley
Garth Nix
Tamora Pierce
Cover discussion: The hardcover's image was what attracted me to this in the first place, so while I was surprised at the change in the paperback's cover, I'm still not disappointed with the epic coloring and silhouetting.
Firebird / Aug. 31, 2010 / Paperback (reprint) / 576pp. / $9.99
Personal copy.
Summary
Eon has trained four years for a chance to be picked as the new Rat Dragoneye apprentice, one of eleven whose powerful spiritual connection with the dragons is used to keep the nation prospering. Eon believes he has a chance, despite being a cripple: he has the rare ability to enter the energy world and “see” all the dragons.
However, Eon is actually Eona, a teenage girl. Females are forbidden to be Dragoneyes, and so Eon desperately tries to hide his true gender when he is miraculously chosen to be the next Mirror Dragoneye, when the Mirror Dragon has not been seen for over 500 years. It is a dangerous world that Eon must maneuver in, what with the old emperor seriously ill and political mutiny tainting the air. Does Eon—Eona—have what it takes to survive, or does the secret that Eona hides threaten to destroy everyone’s lives?
Review
If you want a hardcore fantasy set in a deliciously elaborate and complex world, pick up EON: DRAGONEYE REBORN. Goodman’s majestic tale brings to mind the works of fantasy masters like Garth Nix, Robin McKinley, Diane Wynne Jones, and more. Eon’s world is well wrought, engaging, and one hundred percent fascinating.
The world of EON is reminiscent of ancient Asian cultures, and is a careful and studied mixture of the spiritual and the physical. I loved the idea of dragons being a part of the energy world, of Dragoneyes connecting with the dragons to share a mutual power. At the same time, the physical setting is incredible: a place full of beauty and treachery, awe and horror. Alison Goodman weaves for readers a multisensory setting that’s a treat to experience.
The characters are far from lacking either. Eon is a brilliant, three-dimensional protagonist: his internal conflict of adhering to the tradition of male Dragoneyes versus breaking protocol and acknowledging Eona is heartbreaking and enthralling. Readers may be able to guess things that the often-obstinate Eon misses, but all in all Eon is a fascinating character to follow in this highly charged story.
At a little over 500 pages, EON may seem like a daunting read, but every chapter is worth it, even the few that you wish would speed up to Eon’s long-awaited revelations. I absolutely cannot wait for the sequel, Eona: The Last Dragoneye, to come out, so that I can read more about Eon/Eona and his/her adventures in this magnificently complex world.
Similar Authors
Robin McKinley
Garth Nix
Tamora Pierce
Cover discussion: The hardcover's image was what attracted me to this in the first place, so while I was surprised at the change in the paperback's cover, I'm still not disappointed with the epic coloring and silhouetting.
Firebird / Aug. 31, 2010 / Paperback (reprint) / 576pp. / $9.99
Personal copy.
Friday, March 4, 2011
Review: Singing the Dogstar Blues by Alison Goodman
Tags: YA, science fiction, aliens, time travel
Summary
17-year-old Joss Aaronson is an irreverent harmonica player, a first-year student in the time-jumping program at Australia’s Centre for Historical Studies, and a stealthy player in the game against authority. When the Centre’s first alien student, a Chorian named Mavkel, chooses her as his time-jumping partner, the two form an unlikely alliance. For Chorians need to be part of a pair to survive, and Mavkel has lost his birth-pair.
Joss tackles prejudiced teachers, heavy security, a distant mother, and her own enigmatic background, but when Mavkel begins to waste away, Joss knows that the only way to save him is to go back in time and discover her own lineage. The result is a startling discovery that will rock what everyone believes of the Centre.
Review
It’s been a while since I’ve read a straight-up science-fiction YA novel, and yet SINGING THE DOGSTAR BLUES proves to be one of the best of its genre. With a great protagonist and a fully realized world, this small book will suck you in so fast you won’t even realize when you’ve lost your heart to it.
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she’s not so rebellious as to be unrelatable. She is, in a sense, the kind of “bad girl” most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman’s world in SINGING THE DOGSTAR BLUES is remarkably believable and “real”: I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman’s novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn’t majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the best YA science fiction novels ever written. Don’t miss out on this one!
Writing: 5/5
Characters: 5/5
Plot: 4/5
Overall Rating: 4.5 out of 5
Cover discussion: 3 out of 5 - I've seen better, and I've seen worse. I can see that as Joss, particularly as she is of mixed ethnicity, and that rebellious look on the model's face fits well with my idea of Joss.
Penguin / Nov. 2004 (reprint) / Paperback / 272pp. / $7.99
Personal copy.
Summary
17-year-old Joss Aaronson is an irreverent harmonica player, a first-year student in the time-jumping program at Australia’s Centre for Historical Studies, and a stealthy player in the game against authority. When the Centre’s first alien student, a Chorian named Mavkel, chooses her as his time-jumping partner, the two form an unlikely alliance. For Chorians need to be part of a pair to survive, and Mavkel has lost his birth-pair.
Joss tackles prejudiced teachers, heavy security, a distant mother, and her own enigmatic background, but when Mavkel begins to waste away, Joss knows that the only way to save him is to go back in time and discover her own lineage. The result is a startling discovery that will rock what everyone believes of the Centre.
Review
It’s been a while since I’ve read a straight-up science-fiction YA novel, and yet SINGING THE DOGSTAR BLUES proves to be one of the best of its genre. With a great protagonist and a fully realized world, this small book will suck you in so fast you won’t even realize when you’ve lost your heart to it.
Joss is, without a doubt, my kind of girl. A bit jaded, a bit too smart for her own good, she is thoroughly entertaining to read about. Her tongue-in-cheek observations and flagrant disregard for Centre rules make her the opposite of the passive protagonist I typically dread in YA lit, and yet she’s not so rebellious as to be unrelatable. She is, in a sense, the kind of “bad girl” most readers have secretly imagined themselves being.
Science fiction is difficult to write because it involves creating a thorough world and to consider the implications of adding any detail to the story. Luckily, Alison Goodman’s world in SINGING THE DOGSTAR BLUES is remarkably believable and “real”: I could very nearly see all that Joss sees through the sharp and precise writing.
The one complaint I had about this book was the predictability of the ending. I figured out how things were going to unfold several chapters before Joss did. This is a recurring weakness in Goodman’s novels (her YA fantasy Eon: Dragoneye Reborn had the same thing happen), and yet doesn’t majorly detract from my utter delight in reading this book. Overall, I can solidly recommend SINGING THE DOGSTAR BLUES as one of the best YA science fiction novels ever written. Don’t miss out on this one!
Writing: 5/5
Characters: 5/5
Plot: 4/5
Overall Rating: 4.5 out of 5
Cover discussion: 3 out of 5 - I've seen better, and I've seen worse. I can see that as Joss, particularly as she is of mixed ethnicity, and that rebellious look on the model's face fits well with my idea of Joss.
Penguin / Nov. 2004 (reprint) / Paperback / 272pp. / $7.99
Personal copy.
Wednesday, January 26, 2011
Waiting on Wednesday (97): The Sequel Edition
There are so many sequels I'm anticipating that I think it's better off if I just put them all here, in one WoW post!
All summaries from Goodreads. And, uh, I suppose you might not want to read them if you haven't read the first books yet:
We'll Always Have Summer (Summer, Book 3) by Jenny Han
The love triangle between Belly, Conrad, and Jeremiah is to die for. Seriously. It is incredibly well written and I have no idea how it'll all turn out, since I love both boys. Can a happy ending exist for all three beloved characters? We'll find out soon enough!
We'll Always Have Summer will be published in hardcover by Simon & Schuster on April 26, 2011.
Eona: The Last Dragoneye by Alison Goodman
The first book, Eon, bowled me over, first with how incredible a world Alison Goodman had built, and then by how much it reminds me of timeless fantasy classics written by greats such as Robin McKinley, Gail Carson Levine, Tamora Pierce, and Sherwood Smith. If any of those authors appealed to you, then get thee a copy of the first book immediately!
Eona will be published in hardcover from Viking Juvenile on April 19, 2011.
Shift by Jeri Smith-Ready
Well, that synopsis made the series sound like another ditzy little ditty in the paranormal romance department... but Shift is so much more than that. Beautifully strong characterization and world-building--how does Jeri do it?--will lead you an ardent fan of her writing. Maybe the publishing gods will be kind and gift me with an ARC somehow, somewhere...?
Shift will be published in hardcover from Simon Pulse on May 3, 2011.
All summaries from Goodreads. And, uh, I suppose you might not want to read them if you haven't read the first books yet:
We'll Always Have Summer (Summer, Book 3) by Jenny Han
It's been two years since Conrad told Belly to go with Jeremiah. She and Jeremiah have been inseparable ever since, even attending the same college-- only, their relationship hasn't exactly been the happily ever after Belly had hoped it would be. And when Jeremiah makes the worst mistake a boy can make, Belly is forced to question what she thought was true love. Does she really have a future with Jeremiah? Has she ever gotten over Conrad? It's time for Belly to decide, once and for all, who has her heart forever.
The love triangle between Belly, Conrad, and Jeremiah is to die for. Seriously. It is incredibly well written and I have no idea how it'll all turn out, since I love both boys. Can a happy ending exist for all three beloved characters? We'll find out soon enough!
We'll Always Have Summer will be published in hardcover by Simon & Schuster on April 26, 2011.
Eona: The Last Dragoneye by Alison Goodman
Eon has been revealed as Eona, the first female Dragoneye in hundreds of years. Along with fellow rebels Ryko and Lady Dela, she is on the run from High Lord Sethon's army. The renegades are on a quest for the black folio, stolen by the drug-riddled Dillon; they must also find Kygo, the young Pearl Emperor, who needs Eona's power and the black folio if he is to wrest back his throne from the selfstyled "Emperor" Sethon. Through it all, Eona must come to terms with her new Dragoneye identity and power--and learn to bear the anguish of the ten dragons whose Dragoneyes were murdered. As they focus their power through her, she becomes a dangerous conduit for their plans. . . .
Eona, with its pulse-pounding drama and romance, its unforgettable fight scenes, and its surprises, is the conclusion to an epic only Alison Goodman could create.
The first book, Eon, bowled me over, first with how incredible a world Alison Goodman had built, and then by how much it reminds me of timeless fantasy classics written by greats such as Robin McKinley, Gail Carson Levine, Tamora Pierce, and Sherwood Smith. If any of those authors appealed to you, then get thee a copy of the first book immediately!
Eona will be published in hardcover from Viking Juvenile on April 19, 2011.
Shift by Jeri Smith-Ready
Aura’s life is anything but easy. Her boyfriend, Logan, died, and his slides between ghost and shade have left her reeling. Aura knows he needs her now more than ever. She loves Logan, but she can’t deny her connection with the totally supportive, totally gorgeous Zachary. And she’s not sure that she wants to.
Logan and Zachary will fight to be the one by her side, but Aura needs them both to uncover the mystery of her past—the mystery of the Shift.
As Aura’s search uncovers new truths, she must decide whom to trust with her secrets…and her heart.
Well, that synopsis made the series sound like another ditzy little ditty in the paranormal romance department... but Shift is so much more than that. Beautifully strong characterization and world-building--how does Jeri do it?--will lead you an ardent fan of her writing. Maybe the publishing gods will be kind and gift me with an ARC somehow, somewhere...?
Shift will be published in hardcover from Simon Pulse on May 3, 2011.
Monday, January 10, 2011
Cover Lust (23): Eon and Eona
A separate Cover Lust post in its entirety for the breathtakingness that is all of Alison Goodman's international covers for her book Eon: Dragoneye Reborn and its sequel, Eona: The Last Dragoneye (at least, those are its American titles. They are varied slightly throughout the world.) I don't speak enough about this series because I truly believe that Alison Goodman has written a fantasy series as great as anything by the legendary Tamora Pierce. (The fact that Pierce likes Goodman's books should be a good sign.)
Here is the cover I first saw for it, the US hardcover:
Amazing already, no? It's shiny in person, too.
It was already published as The Two Pearls of Wisdom in Australia and the UK:
Not my favorite color scheme, and the eyes are a little much, but still lovely. And you can kind of tell that Eon/Eona is Asian.
Here are some other editions of the first book:
Here is the US hardcover for Eona:
I like how it matches the US paperback of Eon. Doesn't hurt that it's so utterly badass. Although it's questionably, potentially whitewashed (is it? I can't really tell; my eyes are kind of tired at the moment, sorry). Here are some more covers for Eona or its international equivalents:
I love them both; the German edition kind of reminds me of the video cover for Mulan. But my favorite cover of all is the UK edition, titled The Necklace of the Gods:
zomgzomgzomgzomg that is almost exactly what I think Eona should look like! So badass.
I know there's been some flack regarding these books in the blogosphere in the past, about them taking exceptional liberties with the Asian inspirations of this fantasy, but my stance on this matter is that these books are Asian-inspired. They are not meant to follow a strict set of rules or be representative of the entire Asian mythological culture. I do believe that Alison Goodman has created a world thorough enough to exist on its own, in its own little universe somewhere we don't know about. Perhaps you will be intrigued enough to give this series a try? :) I know I am definitely waiting impatiently for the sequel to finally, finally come out in April.
Here is the cover I first saw for it, the US hardcover:
Amazing already, no? It's shiny in person, too.
It was already published as The Two Pearls of Wisdom in Australia and the UK:
Not my favorite color scheme, and the eyes are a little much, but still lovely. And you can kind of tell that Eon/Eona is Asian.
Here are some other editions of the first book:
UK paperback // US paperback // Spanish hardcover
Polish edition // French edition
Here is the US hardcover for Eona:
I like how it matches the US paperback of Eon. Doesn't hurt that it's so utterly badass. Although it's questionably, potentially whitewashed (is it? I can't really tell; my eyes are kind of tired at the moment, sorry). Here are some more covers for Eona or its international equivalents:
Australian hardcover // German edition
I love them both; the German edition kind of reminds me of the video cover for Mulan. But my favorite cover of all is the UK edition, titled The Necklace of the Gods:
zomgzomgzomgzomg that is almost exactly what I think Eona should look like! So badass.
I know there's been some flack regarding these books in the blogosphere in the past, about them taking exceptional liberties with the Asian inspirations of this fantasy, but my stance on this matter is that these books are Asian-inspired. They are not meant to follow a strict set of rules or be representative of the entire Asian mythological culture. I do believe that Alison Goodman has created a world thorough enough to exist on its own, in its own little universe somewhere we don't know about. Perhaps you will be intrigued enough to give this series a try? :) I know I am definitely waiting impatiently for the sequel to finally, finally come out in April.
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